Sculpture is heavily grogged and highly plastic at the same time, which is not a combination most sculpture bodies manage. That plasticity is what lets you push a form out into overhung and exaggerated shapes and have it hold.
It is a departure from the native grog bodies we have traditionally made. The grog here is coarse, with no fine particles, and it sits on a smooth, fine-particled plastic base. Two things follow from that: it is less prone to water splitting than our older sculpture clays, and the coarse grog presses down into the soft base rather than dragging, so it is less abrasive to work.
It also fires far more vitreous than a typical sculpture body. The denser fired matrix makes for stronger, more durable work, and stands up better to freeze and thaw – which matters for anything going outdoors.